ACCESS FULL SCHEDULE HERE (or as PDF HERE)

Read the full Call for Papers HERE in English, Spanish, or Portuguese. 

The 2024 Dance Studies Association meeting in Buenos Aires will be our organization’s first major gathering outside of North America and Europe. This occasion aims to facilitate new routes and roots of local and international exchange and dialogic (un)learning in the field of dance studies. At the same time, it beckons us to engage critically with the violences embedded in practices and narratives of expansion and mapping.

NOTE: This is an in-person event.  If you are proposing a group submission, you will be able to Zoom in your co-presenters from onsite.  But DSA will not be able to provide full hybrid conferencing infrastructures, as we will be focusing on translation logistics onsite.

 If you would like a PAPER SCHEDULE, please purchase and pre-order online for pick up at the registration table. This paper schedule will not include bios and abstracts, but will list all events with speaker names and locations. For full program and to help us green our gathering, please visit the web app/mobile app. ORDER HERE

Sign-up for EDITORIAL OFFICE HOURS with Rebekah Kowal and Nadine George-Graces (DRJ Executive Co-Editors), Rachel Carrico (Conversations Editor), and SanSan Kwan (incoming Studies in Dance series editor), to be held at the 2024 conference in Buenos Aires. These are in-person meetings and translation will be available as requested. SIGN-UP HERE

Please fill out the FORM HERE if you are interested in local Buenos Aires tours on Monday July 22,Tuesday July 23, and Sunday July 28. organized by local guide, Mariana Cirer ([email protected]).  She will be in contact with details and to collect payment directly. Choose any/all preferred tours. You may also request  shuttle from the airport to the Intercontinental Hotel by indicating arrival day/time. Again, Mariana will be in touch to confirm and collect payment.

TRAVEL INFORMATION (including visa info)

The main location of the conference is the Facultad de Filosofía y Letras building in the city center.

REGISTER NOW! (regular rates available until June 1st)

CONFERENCE EXHIBITOR/ADVERTISER/SPONSOR PROSPECTUS HERE

Secure your exhibitor space, digital ad, or sponsorship HERE by JULY 1, 2024(extended deadline).
THANK YOU FOR YOUR SUPPORT OF THIS GLOBAL GATHERING!

• DIGITAL ADS
• SPONSORSHIPS
• BOOK EXHIBIT (virtual and in-person)

 SUBMISSION PORTAL CLOSED

Accepting submissions in English, Spanish, & Portuguese 
Deadline EXTENDED: December 29, 2023
Decisions to be announced in mid-February

María Eugenia Cadús and Victoria Fortuna (Co-Chairs, Programming and Local Organization Committees)

Program Committee: Alfdaniels Mabingo, Angélique Willkie, Cintia María Oliverio, Irene López Arnaiz, Lucía Matos, Jose Luis Reynoso, María Martha Gigena, Mônica Fagundes Dantas, Rafael Guarato, Marta E. Savigliano, Margarita Tortajada Quiroz, Susan Homar, Olga Lucia Sorzano 

 PHOTOS: Mau Chaco Ramírez

Edgardo Mercado, Topologies for Infinitely Unconquerable Bodies (2016) Topologies for Infinitely Unconquerable Bodies is a large-scale performance installation, both playful and contemplative and/or participatory, that immerses us in an experience that transforms space through the bodies of 20 performers as well as audience members, allowing us to question the connectivity, ubiquity, and limits of the body in motion today.

Edgardo Mercado, Topologías para cuerpos infinitamente inconquistables (2016) Topologías para cuerpos infinitamente inconquistables es una instalación performática de grandes dimensiones, tanto lúdica como contemplativa y/o participativa, que nos sumerge en una experiencia que transforma el espacio a través de los cuerpos de 20 performers y de los visitantes, permitiéndonos cuestionarnos acerca de la conectividad, ubicuidad, y límites del cuerpo en movimiento hoy. 

Edgardo Mercado, Topologias para Corpos Infinitamente Inconquistáveis (2016) Topologias para Corpos Infinitamente Inconquistáveis é uma instalação performática em larga escala, tanto lúdica quanto contemplativa e/ou participativa, que nos submerge em uma experiência que transforma o espaço através dos corpos de 20 performers e membros da plateia, permitindo questionar a conectividade, ubiquidade e limites do corpo em movimento hoje.